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Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
Warning: Design might cause inspiration
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PROFESSIONAL EXPERIENCE
→ SAINT LAURENT – GRAPHIC DESIGNER MARCH 2024 — PRESENT | PARIS
CREATION OF PRINT AND DIGITAL VISUALS (EDITORIAL, LOGOS, VINYL, ETC.)
PARTICIPATION IN PRINT AND DIGITAL IMAGE PROJECTS
ICONOGRAPHIC RESEARCH, LAYOUT OF PRESENTATION FILES
BENCHMARKING, TREND MONITORING, CONCEPT RESEARCH AND PROPOSALS
DESIGN OF ART AND CULTURAL EXHIBITIONS
PROPOSING/CREATING “RIVE DROITE” PRODUCTS
PREPARATION OF TECHNICAL FILES FOR PRINTING
→ SAINT LAURENT – GRAPHIC DESIGN INTERN SEPTEMBER 2023 – MARCH 2024 | PARIS
CREATION OF PRINT AND DIGITAL VISUALS
LAYOUT OF PRESENTATION FILES
PHOTO EDITING FOR LOOKBOOKS AND PRESS IMAGES
DESIGN OF ART AND CULTURAL EXHIBITIONS
PREPARATION OF TECHNICAL FILES FOR PRINTING
→ FREELANCE – GRAPHIC DESIGNER MARCH – JULY 2023 | GENEVA
PROJECTS: WEBSITES, VISUAL IDENTITIES, BROCHURES, POSTERS.
→ DIGIT’ALL – GRAPHIC DESIGN / WEB DESIGN INTERN SEPTEMBER 2022 – MARCH 2023 | GENEVA
CREATION OF VISUAL IDENTITIES & UX/UI USING WEBFLOW/FIGMA
PRODUCTION OF PRINT AND DIGITAL VISUALS, GRAPHIC GUIDELINES/CHARTS
SOCIAL MEDIA DESIGN, PHOTO STUDIO MANAGEMENT
HOSTING - VISUAL IDENTITY WORKSHOP AT HEG GENEVA
→ EXPLORE GENEVA ASSOCIATION X HEAD GENEVA – GRAPHIC DESIGNER 2021 – 2022 | GENEVA
CREATION OF THE VISUAL IDENTITY OF THE EVENT: RÊVONS LA VILLE DE DEMAIN.
SIGNAGE, PRINT/DIGITAL MATERIALS, WEBSITE
→ ADGENTES TRAVEL AGENCY – GRAPHIC DESIGNER JULY. 2018 | GENENA
CREATION OF AD CAMPAIGN POSTERS, PRINT FILES

→ DESIGN BY SUPERNOVA – GRAPHIC DESIGN INTERN FEBRUARY – JUNE 2017 | GENEVA
LOGOS, POSTERS, BROCHURES, WEBSITES PHOTO EDITING, PREPARATION OF TECHNICAL FILES
CLIENTS: ARAB BANK, BNP PARIBAS, FESTIVAL DU RIRE, CAMEL, ETC.
EDUCATION
→ 2019-2022
HEAD - Geneva (Haute École d'Art et Design de Genève)
Bachelor of Arts in Visual Communication

→ 2018-2019
Nicolas Bouvier – Business School Maturité professionnelle,
specialized in Arts & Applied Arts

→ 2014-2018
CFPArts (Centre de formation Professionelle)
Graphic Design CFC diploma

SKILLSET
DESIGN
ADOBE SUITE – PHOTOSHOP, INDESIGN, ILLUSTRATOR, AFTER EFFECTS, PREMIERE PRO
TYPE DESIGN – GLYPHS 3
3D MODELING – SKETCHUP
AI tools - midjourney, firefly, runway

UX/UI SKILLS
HTML+CSS, WORDPRESS, WEBFLOW, FIGMA, ADOBE XD, TWINE

PHOTOGRAPHY TOOLS
LIGHTROOM, ADOBE BRIDGE

LANGUAGES
GREEK – NATIVE
ENGLISH – BILINGUAL
FRENCH – BILINGUAL
ITALIAN – LEVEL B1
WORKSHOPS
→ 2021
Experimental editorial design with Sereina Rothenberger (Hammer Studio, Zurich) and Olivier Lebrun - HEAD-Genève
Editorial Design with NORM, Zurich - HEAD-Genève

→ 2020
Emotion & Typography with Julien Tavelli et David Keshavjee (Studio Maximage) - HEAD-Genève
Creative Coding with Pierre Rossel and Mitch Paone (DIA Studio, New York/Genève) Interactive design – HEAD-Genève

About me

I’m a multidisciplinary graphic designer with a focus on art direction, visual identity, editorial design, and digital storytelling. Over the past several years, I’ve worked across luxury, culture, and creative industries, developing visual systems that are both concept-driven and emotionally resonant. My work spans print, digital, motion, and product design. From publications and campaigns to exhibitions and brand content, I approach each project with attention to detail, narrative coherence, and a refined visual sensibility.

01

COMPULSIVE collection V.5 in partnership with the Béjart Ballet dance company. The concept book consists of 740 pages exploring the anatomy of dancers, focused on the back. An archive of movement is created.

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02

Participation in layout, iconographic research and graphic design with the print team. Sleeve poster cover, three variants. This exclusive volume from SL Editions compiles all Saint Laurent campaigns shot by Juergen Teller since 2019, along with key magazine editorials showcasing the acclaimed photographer’s work for the House. 24 x 33 cm Pages: 420

03

Layout design of the SL Fanzine 19: Jonathan Llense.
Responsibilities: utilizing the provided assets to develop and present layout proposals and image pairings, preparing technical files for printing, and creating a scenography proposal for the photography exhibition.

04A

Charlotte Perriand Exhibition — Saint Laurent Rive Droite Los Angeles Paris & Babylone
Design of the exhibition scenography and creation of graphic framing for the photography selection. Development of technical plans (installation guidelines, photo frames, print files) and production of print and digital materials, including labels, catalogues, window stickers, homepage, and e-cards.

04B

Daniel Rampulla Exhibition — Saint Laurent Rive Droite Los Angeles & Babylone
Creation of an immersive visual universe around the fanzine’s theme, aligned with Saint Laurent’s identity. Design of the scenography and print and digital materials (labels, catalogues, window stickers, homepage, e-cards), along with technical plans and print files.

04C

Limehouse Flowers — Alessandro Furchino Capria Exhibition
Saint Laurent Babylone Paris
Design of the exhibition scenography. Production of print and digital materials, including labels, catalogues, window stickers, homepage, and e-cards, as well as development of technical plans covering installation guidelines, photo frames, and print files.

04D

Mono no Aware — Miya Ando Exhibition — Saint Laurent Rive Droite Los Angeles
Production of print and digital materials, including labels, catalogues, window stickers, homepage, and e-cards, as well as creation of merchandise products such as tote bags. Development of technical plans covering installation guidelines, frames, and print files.

04E

Carte Postale — Saul Leiter Exhibition — Saint Laurent Rive Droite Paris
Design of the exhibition scenography and creation of graphic framing for the photography selection. Design of the hanging system with technical drawings. Production of print and digital materials, including labels, catalogues, window stickers, homepage, e-cards and a set of postcards.

05

Development of the logo, including custom hand-drawn lettering, and design of the menu card. Crafted a refined and elegant visual identity that reflects and aligns seamlessly with the sophisticated universe of Saint Laurent Rive Droite.

06

Development of name concepts for the Saint Laurent's bookstore, including creation of a custom logo and its adaptations across digital touch points such as e-cards, Instagram Stories, and the homepage, ensuring a cohesive and recognizable visual identity.

07

Creation of the visual identity for the interdisciplinary event organized by HES-SO Geneva and the EXPLORE festival. Graphic design work inspired by protest posters, reflecting current urban, climate, and political issues. Development of production and execution documents for suppliers.

08

Development of the visual identity for the clothing brand “By Michel Angelo,” including the creation of a cohesive main visual and its adaptation across apparel and print materials.

09

A visual exploration of how technology connects us digitally yet isolates us emotionally. Phones are taped to faces, turning users into prisoners of their own devices and blurring the line between reality and virtual illusion. The project invites reflection on our digital dependence and the need for authentic human connection.

10

An experimental publication exploring the material identity of THONET’s iconic Tubular chairs through paper texture and photographic detail. Each chair is presented on a dedicated page, its surface qualities echoed by different paper types — glossy, matte, and textured — to create a tactile dialogue between image and material.The catalog reimagines the furniture archive as a sensory and design-driven experience.

11

The project at hand is a pioneering and laudable undertaking aimed at reviving and modernizing an ancient script of the Philippines. The primary objective of this endeavor is to create a new font family that can be used in modern applications, such as digital design, publishing, and branding, making it possible for people to utilize this old script in their everyday lives.

12

This is a study on creating a font. The first step was to learn to draw letters by using calligraphy tools. This allowed us to explore and analyse the shapes of the letters. After selecting the best drawn character for each letter, we had to draw a set of serifs for create the specific style of our font.